https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/17-forensic-architecture/msf-01_small.jpg
MSF Supported Hospital, 2016, Video, 8:23 Min., Sound (Videostill) © Forensic Architecture / Courtesy Forensic Architecture
Forensic Architecture
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/17-forensic-architecture/msf-03_small.jpg
MSF Supported Hospital, 2016, Video, 8:23 Min., Sound (Videostill) © Forensic Architecture / Courtesy Forensic Architecture
Forensic Architecture
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/1-boris-becker/trisha_baga_loaf_0051_small.jpg
Oasis, 2016, 3D Video installation, 16 min., dimensions variable (Photo: Uli Holz), © Trisha Baga / Courtesy Trisha Baga und Société, Berlin
Trisha Baga
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-001_2.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-002.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-005.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-008.jpg
Photographic Pleasures, Popularly Portrayed with Penand Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-009.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-010.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/nwphopl-bede-1855-book-scan.jpg
Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede
Cuthbert Bede
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/5-natalie-bookchin/fp_03_my-meds-natalie-bookchin_small.jpg
My Meds, 2009, from Testament, 2009-17, Video, 1:10 min., sound © Natalie Bookchin / Courtesy Natalie Bookchin
Natalie Boockchin
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/6-dirk-braeckman/27.1-21.7-045-2014_small.jpg
27.1 /21.7 / 045 / 2014, 2014, Inkjet print, 120 x 180 cm © Dirk Braeckman / Courtesy Galerie Thomas Fischer, Berlin / Zeno X Gallery, Antwerpen
Dirk Braeckman
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/9-peggy-buth/pb_fio_c_print_3_3.jpg
Finger it out! (Detail), 2008, C-print, 54 x 41 cm © Peggy Buth / Courtesy Peggy Buth / KLEMM'S, Berlin
Peggy Buth
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/9-peggy-buth/plakat_finger_it_out-1.jpg
Finger it out! (Detail), 2008, C-print, 54 x 41 cm © Peggy Buth / Courtesy Peggy Buth / KLEMM'S, Berlin
Peggy Buth
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/cc_sara_cwynar_2013_girl-from-contact-sheet_small.jpg
Girl from Contact Sheet 2 (from Darkroom Manuals, 2013), 2013, Chromogenic Print, 76,2 x 69,6 cm ©Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada
Sara Cwynar
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/lighting-test-woman_small.jpg
Lightning Test Woman (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada
Sara Cwynar
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/metals-and-tanks_small.jpg
Metals and Tanks, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada
Sara Cwynar
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/total-exposure-control_small.jpg
Total Exposure Control, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada
Sara Cwynar
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/tree-in-nature_small.jpg
Tree in Nature, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada
Sara Cwynar
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05477.jpg
Fencer in Forward Motion, ca 1900, Gelatin silver print, 19,8 x 38,8 cm, Thomas Walter Collection
Georges Demenÿ & Étienne-Jules Marey
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05478.jpg
Man on Exercise Bicycle, at Rest, ca 1900, Gelatin silver print, 31 x 19,5 cm, Thomas Walter Collection
Georges Demenÿ & Étienne-Jules Marey
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05480.jpg
Man on Exercise Bicycle, in Motion, ca 1900, Gelatin silver print, 31 x 19,5 cm, Thomas Walter Collection
Georges Demenÿ & Étienne-Jules Marey
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-001-2.jpg
Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder
Joseph Maria Eder
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-002.jpg
Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder
Joseph Maria Eder
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-003.jpg
Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder
Joseph Maria Eder
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-004.jpg
Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder
Joseph Maria Eder
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-005.jpg
Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder
Joseph Maria Eder
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/14-olafur-eliasson/107d2295_2.jpg
Your Uncertain Shadow (Black and White), 2010, Halogen lamps, glass, aluminium, transformers, Installation view: Martin-Gropius-Bau, Berlin 2011, Foto: Maria del Pilar Garcia Ayensa / Studio Olafur Eliasson © Olafur Eliasson / Courtesy Olafur Eliasson / neugerriemschneider, Berlin
Olafur Eliasson
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-11.jpg
InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR
Harun Farocki
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-14.jpg
InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR
Harun Farocki
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-24.jpg
InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR
Harun Farocki
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-3.jpg
InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR
Harun Farocki
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/18-richard-frater/richard-frater-april_2.jpg
April, 2015/17, Modified Greenpeace Standing-up-for-the-Earth calendar, waterjet cut Canon camera body, stainless steel tube, Canon EF 300mm f/2.8L © Richard Frater / Courtesy Richard Frater
Richard Frater
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/000-latoya-ruby-frazier-litho-1-statement_bd.jpg
Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris
LaToya Ruby Frazier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/001-paper-magazine-ad.jpg
Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris
LaToya Ruby Frazier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/002-grandma-ruby-and-upmc.jpg
Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris
LaToya Ruby Frazier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/004-healthcare-not-wealthcare.jpg
Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris
LaToya Ruby Frazier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/006-jenny-holzer-s-truism.jpg
Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris
LaToya Ruby Frazier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0022.gespenstergeschichten.installationsansicht.2017..arno.gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0053_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0059_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0063_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0074_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0078_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg
Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0080_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg
Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0082_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg
Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0083_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg
Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0086_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0125_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0132_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0139_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0015.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0025.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0027.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/b0238p-0028_rephotography.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/pressebild-gisinger-3.jpg
Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger
Arno Gisinger
Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_4.jpg
Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg
Simon Gush
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_6_small.jpg
Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg
Simon Gush
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_7_small.jpg
Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg
Simon Gush
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/gush-workers-leaving-2.jpg
Workers Leaving the Factory, 2014, 19 slides, Projection © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg
Simon Gush
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/gush-workers-leaving.jpg
Workers Leaving the Factory, 2014, 19 slides, Projection © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg
Simon Gush
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/coulissen1_2.jpg
Coulissen (Curtains), 2016, Cabinet card album pages, cardboard, glue, 275 x 39 x 39 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p05.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p23-cmyk.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p25-cmyk.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p27b.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p29-cmyk.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p33-cmyk.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p39-cmyk.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p55.jpg
New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel
Vesko Gösel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/30-nikita-kadan/nikita_kadan_slide_from_the_work_limits_of_responsibility_2014_courtesy_campagne_premiere_berlin.jpg
Limits of Responsibility, 2014, 36 slides, Projection © Nikita Kadan / Courtesy Nikita Kadan / Campagne Première, Berlin
Nikita Kadan
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/stefan-karrer/stefan_karrer_cool_clouds_videostill_03.jpg
Cool Clouds That Look Like They Should Be Spelling Something, But They Don't, 2016, Video, 8 Min., sound © Stefan Karrer / Courtesy Stefan Karrer
Stefan Karrer
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-kassem/kassem-006-2.jpg
Badria and Cholud Kassem, Heidelberg, 1959 © Family Kassem / Courtesy Family Kassem
Private Archive Family Kassem
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-kassem/wasserturm_kassem_3.jpg
Schaukat and Nasier Kassem, Mannheim, ca. 1965 © Family Kassem / Courtesy Family Kassem
Private Archive Family Kassem
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10666.jpg
Construct PC 5 C, 1981, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien
Barbara Kasten
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10670.jpg
Construct PC 5 B, 1981, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien
Barbara Kasten
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10671_neu_heller.jpg
Construct PC X, 1982, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien
Barbara Kasten
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10673.jpg
Construct PC XI, 1982, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien
Barbara Kasten
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10686.jpg
Metaphase 4, 1986, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien
Barbara Kasten
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/abb_ill_1_rz.jpg
Karneval in Ulm, 1963 © Family Keskin / Courtesy Family Keskin
Private Archive Family Keskin
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-010a.jpg
Streiten mit Hayri, near Ulm, 1964 © Family Keskin / Courtesy Family Keskin
Private Archive Family Keskin
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-010b.jpg
Streiten mit Hayri (backside), near Ulm, 1964 © Family Keskin / Courtesy Family Keskin
Private Archive Family Keskin
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-027.jpg
Family Keskin in Heidelberg, 1966 © Family Keskin / Courtesy Family Keskin
Private Archive Family Keskin
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/merle-kroeger/havarie_03_2.jpg
Havarie, 2016, Video, 93 Min., sound © Merle Kröger und Philip Scheffner, pong film GmbH / Courtesy Merle Kröger und Philip Scheffner
Merle Kröger
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andreas-langfeld/andreaslangfeld-1.jpg
Newsroom-Editeure, 2017, Installation with dig. C-Prints and Videos © Andreas Langfeld / Courtesy Andreas Langfeld
Andreas Langfeld
C-HUB Kreativwirtschaftszentrum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andreas-langfeld/andreaslangfeld-2.jpg
Newsroom-Editeure, 2017, Installation with dig. C-Prints and Videos © Andreas Langfeld / Courtesy Andreas Langfeld
Andreas Langfeld
C-HUB Kreativwirtschaftszentrum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-1_small.jpg
Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee
Marc Lee
Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-3.jpg
Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee
Marc Lee
Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-4.jpg
Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee
Marc Lee
Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-6_small.jpg
Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee
Marc Lee
Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21308_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21309_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21310_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21311_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21313_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21314_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21315_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21317_3.jpg
Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen
Helmar Lerski
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/fred-lonidier/lonidier_f_e.2013.0691-0692-crop-small.jpg
GAF Snapshirts, 1976, Installation, 32 printed T-Shirts, hangers © Fred Lonidier / Courtesy Fred Lonidier / Essex Street / New York, Michael Benevento, Los Angeles / SILBERKUPPE, Berlin
Fred Lonidier
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/018_mattes_dark.jpg
Dark Content, 2015, Installation, Videos, desks, cable basket © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London
Eva & Franco Mattes
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/abuse-standards-violations-1-side-exhib-carrollfletcher_2_small.jpg
Abuse Standards Violations, 2016, UV prints on plexiglass, varoius insulation materials, spacers, screws, 100 x 100 x 14 cm, 150 x 100 x 8 cm © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London
Eva & Franco Mattes
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/ceiling-cat-large-8935-_small.jpg
Ceiling Cat, 2016, Taxidermy cat, Polyurethane resin, hole in the ceiling © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London
Eva & Franco Mattes
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/rosa-menkman/menkman-still_small.jpg
Dear Mr Compression, 2010, Corrupted .WMV-Video © Rosa Menkman / Courtesy Rosa Menkman
Rosa Menkman
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/01_barch_raf_04-04.201718029-2.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/02_barch_raf_04-04.201718029.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/02_lalb_el-51_3-_negative6400_2.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/04_barch_raf_04-04.201718061.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/04_lalb_el-51_3-_negative6493_694.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/06_barch_raf_04-04.201718101.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/08_barch_raf_04-04.201718179-2.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/09_barch_raf_04-04.201718218.jpg
from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer
Arwed Messmer
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/naeem-mohaiemen/baf170811_katalog_de_2092.jpg
Live True Life or Die Trying, 2009, 42 C-Prints, each 40 x 50 cm or 20 x 50 cm © Naeem Mohaeiemen / Courtesy Naeem Mohaiemen / Experimenter, Kolkata
Naeem Mohaiemen
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/naeem-mohaiemen/baf170811_katalog_de_209.jpg
Live True Life or Die Trying, 2009, 42 C-Prints, each 40 x 50 cm or 20 x 50 cm © Naeem Mohaeiemen / Courtesy Naeem Mohaiemen / Experimenter, Kolkata
Naeem Mohaiemen
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_18.jpg
Bakhambile, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Parktown, 2016, Gelatin silver print, 80 x 60 cm, Private collection, Germany © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York
Zanele Muholi
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_19.jpg
Thulie II, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Umlazi, Durban, 2016, Gelatine silver print, 50 x 41 cm, Private collection, Berlin © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York
Zanele Muholi
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_20.jpg
Dudu, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Parktown, 2016, Gelatine silver print, 70 x 63,8 cm © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York
Zanele Muholi
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_24.jpg
Thando II Nuoro, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Sardinia, Italy, 2015, Gelatine silver print, 80 x 52,6 cm, Private collection, Germany © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York
Zanele Muholi
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oscar-munoz/still-mesa-13_3.jpg
Sedimentaciones, 2011, Videostill, Installation, 40 Min., tables © Oscar Muñoz / Courtesy Oscar Muñoz / Mor Charpentier, Paris
Oscar Muñoz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oscar-munoz/still-mesa-16_4.jpg
Sedimentaciones, 2011, Installation, 40 Min., Tables © Oscar Muñoz / Courtesy Oscar Muñoz / mor Charpentier, Paris
Oscar Muñoz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/floris-m-neusuess/floris-m.neusuess-tanz-1965.jpg
Tanz, 1965, Photogram, 3 parts, each 259,4 x 89,5 cm, Courtesy DZ BANK Kunstsammlung © Floris M. Neusüss, DZ BANK Kunstsammlung
Floris M. Neusüss
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05481.jpg
from Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print, heliogravure, 19,7 x 26,3 cm, Thomas Walther Collection © Louis Vignes & Charles
Louis Vignes & Charles Nègre
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05482.jpg
from Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print (recopied), heliogravure, 22,3 x 28 cm, Thomas Walther Collection © Louis Vignes & Charles
Louis Vignes & Charles Nègre
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05483.jpg
aus Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print, heliogravure, 19,6 x 26,1 cm, Thomas Walther Collection © Louis Vignes & Charles
Louis Vignes & Charles Nègre
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-panevski/fotobuch-0007.jpg
Dushan Panevski's Photo album, 1961 © Family Panevski / Courtesy Family Panevski
Private Archive Family Panevski
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/last-page_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page1bis-bear_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page2-bear_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page3-bear_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page5_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/pagina4a-kopie_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/schrotkorn_flucht_2.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/trypage5-ebenen_01_sc.jpg
Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group
Migrant Image Research Group
ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/willem-de-rooij/wdr_001.jpg
Index: Riots, Protest, Mourning and Commemoration (as represented in newspapers, January 2000 - July 2002) 2003, 18 Collages on paper, each 185 x 141 cm, (Bouquet V), 2010, Private collection, Frankfurt am Main © Willem de Rooij
Willem de Rooij
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/willem-de-rooij/wdr_004_2.jpg
Index: Riots, Protest, Mourning and Commemoration (as represented in newspapers, January 2000 - July 2002) 2003, 18 Collages on paper, each 185 x 141 cm, 2010, Private collection, Frankfurt am Main © Willem de Rooij
Willem de Rooij
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/petrel-i-roumagnac-duo/2017_duo_juin_e-escougnou_orthez-2.jpg
Théâtre (theatre) #2 / résidus #1, 2017, (Photo: Edouard Escougnou-Cetraro) © Pétrel I Roumagnac (duo) / Courtesy Pétrel I Roumagnac (duo) / Galerie Escougnou-Cetraro, Paris
Pétrel I Roumagnac (duo)
Location
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/ed-ruscha/2017_07_090_2.jpg
Every Building on the Sunset Strip, 1966, Offset print, accordion folded, 18,7 x 14,6 cm, 106 pages, Wilhelm-Hack-Museum Ludwigshafen © Ed Ruscha
Ed Ruscha
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/ed-ruscha/2017_07_091_2.jpg
Every Building on the Sunset Strip, 1966, Offset print, accordion folded, 18,7 x 14,6 cm, 106 pages, Wilhelm-Hack-Museum Ludwigshafen © Ed Ruscha
Ed Ruscha
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/d-h-saur/weiss120417_026_2.jpg
Hope 2008-17, Version I, 2017, Collage on Tyvek, ca 200 x 300 cm © D. H. Saur / Courtesy D. H. Saur
D. H. Saur
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr1_2.jpg
my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ
belit sağ
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr2_2.jpg
my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ
belit sağ
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr3_2.jpg
my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ
belit sağ
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/merle-kroeger-philip-scheffner/havarie_03_2.jpg
Havarie, 2016, Video, 93 Min., sound © Merle Kröger und Philip Scheffner, pong film GmbH / Courtesy Merle Kröger und Philip Scheffner
Philip Scheffner
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid2.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid3.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid4.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid5.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid6.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid7.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid8.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid.jpg
from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna
Joachim Schmid
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz-12_2.jpg
Video Constructions, Segment 1, 1978, Video on Monitors, 4:07 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz
Buky Schwartz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz-12tif_2.jpg
Video Constructions, Segment 2, 1978, Video on Monitors, 1:16 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz
Buky Schwartz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_3_2.jpg
Video Constructions, Segment 4, 1978, Video on Monitors, 3:40 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz
Buky Schwartz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_4_2.jpg
Video Constructions, Segment 5, 1978, Video on Monitors, 2:46 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz
Buky Schwartz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_5_2.jpg
Video Constructions, Segment 3, 1978, Video on Monitors, 4:30 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz
Buky Schwartz
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-sirma/troskana-028a.jpg
Raci Sirma in front of the Mannheimer Water Tower, ca 1965 © Family Sirma / Courtesy Family Sirma
Private Archive Family Sirma
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-sirma/wasserturm_kirst_1.jpg
Raci Sirma in front of the Mannheimer Water Tower, um 1965 © Family Sirma / Courtesy Family Sirma
Private Archive Family Sirma
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/john-smith/49-om-monk_2_small.jpg
Om, 1986, Filmstill, 16 mm Film projection, 4 Min., sound © John Smith / Courtesy John Smith / Galerie Tanya Leighton, Berlin
John Smith
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/john-smith/51-om-skinhead_2_small.jpg
Om, 1986, Filmstill, 16 mm Film projection, 4 Min., sound © John Smith / Courtesy John Smith / Galerie Tanya Leighton, Berlin
John Smith
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/mark-soo/mark-soo_untitled-madame-guillotine-ver-1.jpg
Madame Guillotine, 2017, Installation, Laser Light Projector, C-Prints, each 92 x 120 cm © Mark Soo / Courtesy Mark Soo
Mark Soo
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_11.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_12.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristenristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_13.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_14.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_16.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_17.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_18.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_19.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_20.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_21.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_10.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_7.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_8.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_9.jpg
from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen
Andrzej Steinbach
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_river_02_.jpg
River, 2017 (VideostillI), Video installation, 16:08 Min., sound, Courtesy Sebastian Stumpf and Galerie Thomas Fischer, Berlin © Sebastian Stumpf
Sebastian Stumpf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_treppe_01.jpg
Treppe (stairs), 2017, Video installation © Courtesy Sebastian Stumpf / Galerie Thomas Fischer, Berlin / VG Bild-Kunst, Bonn 2017 für Max Bill „Endlose Treppe“
Sebastian Stumpf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_treppe_03.jpg
Treppe (stairs), 2017, Video, ca. 12 Min., sound © Courtesy Sebastian Stumpf / Galerie Thomas Fischer, Berlin / VG Bild-Kunst, Bonn 2017 für Max BIll „Endlose Treppe“
Sebastian Stumpf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0193_rgb.jpg
Kanye, Juergen & Kim, No. 23, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0222_rgb.jpg
Kanye, Juergen & Kim, No. 33, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0400_rgb.jpg
Kanye, Juergen & Kim, No. 70, Chateau d'Ambleville, 2015, Giclee-Print, 152 x 229 cm © Juergen Teller / Courtesy Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0446_rgb.jpg
Kanye, Juergen & Kim, No. 25, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0661_rgb.jpg
Kanye, Juergen & Kim, No. 35, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3673_rgb.jpg
Kanye, Juergen & Kim, No. 26, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3692_rgb.jpg
Kanye, Juergen & Kim, No. 24, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3761_rgb.jpg
Kanye, Juergen & Kim, No. 34, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller
Juergen Teller
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/wolfgang-tillmans/2012-062-sensor-flaws-dead-pixels-eso_3.jpg
sensor flaws & dead pixels, ESO, 2012, Inkjet-Print, 138 x 208 cm © Wolfgang Tillmans / Courtesy Wolfgang Tillmans / Galerie Buchholz, Berlin / Museum Folkwang Essen
Wolfgang Tillmans
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/wolfgang-tillmans/2012-113-named-unnamed-galaxies_2.jpg
named and unnamed galaxies, ESO, 2012, Inkjet-Print, 74,8 x 96,6 cm © Wolfgang Tillmans / Courtesy Wolfgang Tillmans / Galerie Buchholz, Berlin / Museum Folkwang Essen
Wolfgang Tillmans
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-002_small.jpg
Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier
Gaston Tissandier
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-003_small.jpg
Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier
Gaston Tissandier
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-004_small.jpg
Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier
Gaston Tissandier
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oraib-toukan/oraib-toukan-when-things-occur-1.jpg
When Things Occur, 2016, Video, 28 Min., sound © Oraib Toukan / Courtesy Oraib Toukan
Oraib Toukan
Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-troncone/trocone-001.jpg
At the Mannheimer Water Tower, ca 1970 © Family Troncone / Courtesy Family Trocone
Private Archive Family Troncone
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-troncone/trocone-002.jpg
At the Mannheimer Water Tower, ca 1970 © Family Troncone / Courtesy Family Trocone
Private Archive Family Troncone
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_01.jpg
Excellences & Perfections, 2014 (Instagram Update, 11th July 2014), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London
Amalia Ulman
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_02_2.jpg
Excellences & Perfections, 2014 (Instagram Update, 7th July 2014), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London
Amalia Ulman
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_03_2.jpg
Excellences & Perfections, 2014 (Instagram Update, 4th July 2014), (#work #it #bitch), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London
Amalia Ulman
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hermann-vogel/hermann-vogel-002.jpg
Colour Chart from Hermann Vogel, Lehrbuch der Photographie. Die photographische Chemie, die photographische Praxis und die photographische Ästhetik (Manual of Photography: Photographic Chemistry, Photographic Practice, and Photographic Aesthetics), 1874, Book, 23 x 15,5 cm, 528 S., private collection Konstanz © Hermann Vogel
Hermann Vogel
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_01.jpg
Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed
Hajra Waheed
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_02.jpg
Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed
Hajra Waheed
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_03.jpg
Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed
Hajra Waheed
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marianne-wex/2017_07_064_2.jpg
"Female" and "Male" Body Language as a Result of Patriarchal Structures, 1979, Book, 24 x 30 cm, 377 S., Private collection / Martina Pantke, Maison Forstfeld © Marianne Wex
Marianne Wex
Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/googlestillcomposite.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.38.58-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.40.56-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.43.42-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.46.48-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.47.46-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.49.04-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.59.15-am.jpg
Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/wilson_poster_the_abc_of_photography-2.jpg
The ABC of Photography - 2, 2014, from ScanOps, 2012 -ongoing, Inkjet-Prints on self-adhesive fabric, 91 x 61 cm © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/wilson_poster_the_inland_printer_edit-164_3.jpg
The Inland Printer - 164, 2012, from ScanOps, 2012 -ongoing, Inkjet-Prints on self-adhesive fabric, 91 x 61 cm © Andrew Norman Wilson / Courtesy Andrew Norman Wilson
Andrew Norman Wilson
Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_009.jpg
Study of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G273, time of exposure: 3h, 7.9.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_014.jpg
SStudy of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G304, time of exposure: 13h, 8 Min., 9.9.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_018.jpg
Study of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G302, time of exposure: 1h, 1.6.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_026_3.jpg
Max Wolf / Johann Palisa, from Photografische Sternkarte (Photographic Celestial Charts), 1900-16, Plate B1022, time of exposure: 4h, 10.7.1904, Glass plate negatives, 30 x 24 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/bilder-86967-80611-original__ub-d203_17__48f26c02_2_small.jpg
Bildarchiv GmbH Freiburg im Breisgau, Images of the night's sky by Max Wolf (1899-1910), 1922, 10 Gelatin silver prints, each 18 x 12 cm, Universitätsbibliothek Heidelberg, Nachlass Max Wolf (Heid. Hs. 3695) © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/sternkarten-001_2.jpg
Max Wolf / Johann Palisa, aus Photografische Sternkarten (Photographic Celestial Charts), 1900-16, Plate Nr. 139, time of exposure: 4h, 10.7.1904, Gelatin silver print, 36 x 27,5 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf
Max Wolf
Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/18420001.jpg
Brühl, Germaniastraße, ca 1973 © Family Zippel / Courtesy Family Zippel
Private Archive Family Zippel
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/18420003_b_rz.jpg
Brühl, Germaniastraße, ca 1973 © Family Zippel / Courtesy Family Zippel
Private Archive Family Zippel
Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/repro_katalog.jpg
Temporary Residence in Mannheim-Rheinau, Karl-Peters-Straße (present-day Wilhelm-Peters-Straße), ca 1965 © Family Zippel / Courtesy Family Zippel
Private Archive Family Zippel
Kunstverein Ludwigshafen