Biennale für aktuelle Fotografie

Calendar

Thank you

We thank all our artists, curators, the participating institutions, our generous supporters - in particular the Kulturstiftung des Bundes and our premium sponsor BASF - as well as the three cities and every partner. Last but not least we would like to thank our visitors for a successful Biennale für aktuelle Fotografie 2017!
F & D Cartier

Wait and See, 2017
The exhibition catalogue of the Biennale für aktuelle Fotografie 2017
The Journal 2017 – Read more
Marc Lee, "Bundestagswahl - Meinungskampf in den Sozialen Medien"

Installation in the exhibition 'No Image Is an Island' at Port25 – Raum für Gegenwartskunst, Mannheim.

Galerie

Locations

Artists

https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/17-forensic-architecture/msf-01_small.jpg MSF Supported Hospital, 2016, Video, 8:23 Min., Sound (Videostill) © Forensic Architecture / Courtesy Forensic Architecture Forensic Architecture Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/17-forensic-architecture/msf-03_small.jpg MSF Supported Hospital, 2016, Video, 8:23 Min., Sound (Videostill) © Forensic Architecture / Courtesy Forensic Architecture Forensic Architecture Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/1-boris-becker/trisha_baga_loaf_0051_small.jpg Oasis, 2016, 3D Video installation, 16 min., dimensions variable (Photo: Uli Holz), © Trisha Baga / Courtesy Trisha Baga und Société, Berlin Trisha Baga Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-001_2.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-002.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-005.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-008.jpg Photographic Pleasures, Popularly Portrayed with Penand Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-009.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/cuthbert-bede-010.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/3-cuthbert-bede/nwphopl-bede-1855-book-scan.jpg Photographic Pleasures, Popularly Portrayed with Pen and Pencil, London, 1855/64, 2 Bücher, 17 x 11 cm, 52 S., Sammlung Vesko Gösel / Privatsammlung Konstanz © Cuthbert Bede Cuthbert Bede Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/5-natalie-bookchin/fp_03_my-meds-natalie-bookchin_small.jpg My Meds, 2009, from Testament, 2009-17, Video, 1:10 min., sound © Natalie Bookchin / Courtesy Natalie Bookchin Natalie Boockchin Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/6-dirk-braeckman/27.1-21.7-045-2014_small.jpg 27.1 /21.7 / 045 / 2014, 2014, Inkjet print, 120 x 180 cm © Dirk Braeckman / Courtesy Galerie Thomas Fischer, Berlin / Zeno X Gallery, Antwerpen Dirk Braeckman Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/9-peggy-buth/pb_fio_c_print_3_3.jpg Finger it out! (Detail), 2008, C-print, 54 x 41 cm © Peggy Buth / Courtesy Peggy Buth / KLEMM'S, Berlin Peggy Buth Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/9-peggy-buth/plakat_finger_it_out-1.jpg Finger it out! (Detail), 2008, C-print, 54 x 41 cm © Peggy Buth / Courtesy Peggy Buth / KLEMM'S, Berlin Peggy Buth Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/cc_sara_cwynar_2013_girl-from-contact-sheet_small.jpg Girl from Contact Sheet 2 (from Darkroom Manuals, 2013), 2013, Chromogenic Print, 76,2 x 69,6 cm ©Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada Sara Cwynar Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/lighting-test-woman_small.jpg Lightning Test Woman (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada Sara Cwynar Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/metals-and-tanks_small.jpg Metals and Tanks, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada Sara Cwynar Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/total-exposure-control_small.jpg Total Exposure Control, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada Sara Cwynar Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/11-sara-cwynar/tree-in-nature_small.jpg Tree in Nature, (from Darkroom Manuals, 2013), 2013, Chromogenic Prints, 76,2 x 69,6 cm © Sara Cwynar / Courtesy Sara Cwynar / COOPER COLE, Toronto, Canada Sara Cwynar Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05477.jpg Fencer in Forward Motion, ca 1900, Gelatin silver print, 19,8 x 38,8 cm, Thomas Walter Collection Georges Demenÿ & Étienne-Jules Marey Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05478.jpg Man on Exercise Bicycle, at Rest, ca 1900, Gelatin silver print, 31 x 19,5 cm, Thomas Walter Collection Georges Demenÿ & Étienne-Jules Marey Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/12-georges-demeny-etienne-jules-marey/dsc05480.jpg Man on Exercise Bicycle, in Motion, ca 1900, Gelatin silver print, 31 x 19,5 cm, Thomas Walter Collection Georges Demenÿ & Étienne-Jules Marey Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-001-2.jpg Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder Joseph Maria Eder Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-002.jpg Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder Joseph Maria Eder Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-003.jpg Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder Joseph Maria Eder Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-004.jpg Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder Joseph Maria Eder Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/13-joseph-maria-eder/dr.josef-maria-eder-005.jpg Yearbook of Photography and Reproduction Technology, 1895, Book, 18.5 x 13.5 cm, 636 pages, Courtesy private collection, Konstanz © Joseph Maria Eder Joseph Maria Eder Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/14-olafur-eliasson/107d2295_2.jpg Your Uncertain Shadow (Black and White), 2010, Halogen lamps, glass, aluminium, transformers, Installation view: Martin-Gropius-Bau, Berlin 2011, Foto: Maria del Pilar Garcia Ayensa / Studio Olafur Eliasson © Olafur Eliasson / Courtesy Olafur Eliasson / neugerriemschneider, Berlin Olafur Eliasson Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-11.jpg InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR Harun Farocki Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-14.jpg InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR Harun Farocki Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-24.jpg InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR Harun Farocki Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/15-harun-farocki/unbenannt-3.jpg InFormation, 2005, Film, 16 Min., (Directed by and book by: Harun Farocki / Idea, research: Antje Ehmann / Research: Matthias Rajmann / Funded by: TRANSIT MIGRATION, German Federal Cultural Foundation / Production: Harun Farocki Filmproduktion, Berlin) © Harun Farocki, Harun Farocki GbR / Courtesy Harun Farocki GbR Harun Farocki Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/18-richard-frater/richard-frater-april_2.jpg April, 2015/17, Modified Greenpeace Standing-up-for-the-Earth calendar, waterjet cut Canon camera body, stainless steel tube, Canon EF 300mm f/2.8L © Richard Frater / Courtesy Richard Frater Richard Frater Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/000-latoya-ruby-frazier-litho-1-statement_bd.jpg Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris LaToya Ruby Frazier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/001-paper-magazine-ad.jpg Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris LaToya Ruby Frazier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/002-grandma-ruby-and-upmc.jpg Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris LaToya Ruby Frazier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/004-healthcare-not-wealthcare.jpg Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris LaToya Ruby Frazier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/19-latoya-ruby-frazier/006-jenny-holzer-s-truism.jpg Campaign for Braddock Hospital (Save Our Community Hospital), 2011, Portfolio with 12 prints, photolitographs and screenprints, each 43 x 35,5 © LaToya Ruby Frazier / Michel Rein, Paris/Brussels / KADIST Collection, Paris LaToya Ruby Frazier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0022.gespenstergeschichten.installationsansicht.2017..arno.gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0053_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0059_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0063_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0074_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0078_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0080_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0082_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0083_original-schachteln-der-glasplattennegative-sammlung-kunsthalle-mannheim-2017-arno-gisinger.jpg Original Box of Glass Plate Negatives, Collection of Kunsthalle Mannheim, 2017 © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0086_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0125_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0132_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/_0139_2_gespenstergeschichten-installationsansicht-2017-arno-gisinger.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0015.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0025.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/06-09-2017_15_01_2015_0027.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/b0238p-0028_rephotography.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/20-arno-gisinger/pressebild-gisinger-3.jpg Ghost Stories - Breaking Images in the Mannheimer Water Tower, 2017, Installation view, Site-specific 3-channel video projection, ca. 15 Min., sound, (Speaker: Harald Schröpfer, Architecture: Bernhard Tatter, Technical production: Martin Beck) © Arno Gisinger / Courtesy Arno Gisinger Arno Gisinger Kunsthalle Mannheim (Installation at the Wasserturm)
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_4.jpg Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg Simon Gush Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_6_small.jpg Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg Simon Gush Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/calvin-full-hd_7_small.jpg Calvin and Holiday, 2013, HD Video, sound © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg Simon Gush Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/gush-workers-leaving-2.jpg Workers Leaving the Factory, 2014, 19 slides, Projection © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg Simon Gush Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/24-simon-gush/gush-workers-leaving.jpg Workers Leaving the Factory, 2014, 19 slides, Projection © Simon Gush / Courtesy Simon Gush / Stevenson, Cape Town / Johannesburg Simon Gush Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/coulissen1_2.jpg Coulissen (Curtains), 2016, Cabinet card album pages, cardboard, glue, 275 x 39 x 39 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p05.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p23-cmyk.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p25-cmyk.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p27b.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p29-cmyk.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p33-cmyk.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p39-cmyk.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/22-vesko-goesel/p55.jpg New Photographic Pleasures, 2007-09, 12 drawings on paper, each 30 x 20 cm © Vesko Gösel / Courtesy Vesko Gösel Vesko Gösel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/30-nikita-kadan/nikita_kadan_slide_from_the_work_limits_of_responsibility_2014_courtesy_campagne_premiere_berlin.jpg Limits of Responsibility, 2014, 36 slides, Projection © Nikita Kadan / Courtesy Nikita Kadan / Campagne Première, Berlin Nikita Kadan Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/stefan-karrer/stefan_karrer_cool_clouds_videostill_03.jpg Cool Clouds That Look Like They Should Be Spelling Something, But They Don't, 2016, Video, 8 Min., sound © Stefan Karrer / Courtesy Stefan Karrer Stefan Karrer Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-kassem/kassem-006-2.jpg Badria and Cholud Kassem, Heidelberg, 1959 © Family Kassem / Courtesy Family Kassem Private Archive Family Kassem Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-kassem/wasserturm_kassem_3.jpg Schaukat and Nasier Kassem, Mannheim, ca. 1965 © Family Kassem / Courtesy Family Kassem Private Archive Family Kassem Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10666.jpg Construct PC 5 C, 1981, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien Barbara Kasten Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10670.jpg Construct PC 5 B, 1981, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien Barbara Kasten Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10671_neu_heller.jpg Construct PC X, 1982, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien Barbara Kasten Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10673.jpg Construct PC XI, 1982, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien Barbara Kasten Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/barbara-kasten/pl10686.jpg Metaphase 4, 1986, Polaroid, 62 x 51 cm, Fotosammlung OstLicht Wien © Barbara Kasten, Fotosammlung OstLicht, Wien Barbara Kasten Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/abb_ill_1_rz.jpg Karneval in Ulm, 1963 © Family Keskin / Courtesy Family Keskin Private Archive Family Keskin Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-010a.jpg Streiten mit Hayri, near Ulm, 1964 © Family Keskin / Courtesy Family Keskin Private Archive Family Keskin Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-010b.jpg Streiten mit Hayri (backside), near Ulm, 1964 © Family Keskin / Courtesy Family Keskin Private Archive Family Keskin Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-keskin/keskin-027.jpg Family Keskin in Heidelberg, 1966 © Family Keskin / Courtesy Family Keskin Private Archive Family Keskin Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/merle-kroeger/havarie_03_2.jpg Havarie, 2016, Video, 93 Min., sound © Merle Kröger und Philip Scheffner, pong film GmbH / Courtesy Merle Kröger und Philip Scheffner Merle Kröger Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andreas-langfeld/andreaslangfeld-1.jpg Newsroom-Editeure, 2017, Installation with dig. C-Prints and Videos © Andreas Langfeld / Courtesy Andreas Langfeld Andreas Langfeld C-HUB Kreativwirtschaftszentrum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andreas-langfeld/andreaslangfeld-2.jpg Newsroom-Editeure, 2017, Installation with dig. C-Prints and Videos © Andreas Langfeld / Courtesy Andreas Langfeld Andreas Langfeld C-HUB Kreativwirtschaftszentrum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-1_small.jpg Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee Marc Lee Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-3.jpg Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee Marc Lee Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-4.jpg Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee Marc Lee Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marc-lee/bundestagswahl-meinungskampf-in-den-sozialen-medien-6_small.jpg Bundestagswahl - Meinungskampf in den sozialen Medien (German Federal Election-Battles of Opinion on Social Media) , 2017, Network-based, interactive live stream © Marc Lee / Courtesy Marc Lee Marc Lee Buchhandlung Thalia
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21308_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21309_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21310_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21311_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21313_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21314_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21315_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/helmar-lerski/museum-folkwang21317_3.jpg Verwandlungen durch Licht (Metamorphosis through Light), 1935/36 (2002), Gelatin silver prints, 30 x 24 cm, private collection © Helmar Lerski, Nachlass Helmar Lerski, Museum Folkwang, Essen Helmar Lerski Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/fred-lonidier/lonidier_f_e.2013.0691-0692-crop-small.jpg GAF Snapshirts, 1976, Installation, 32 printed T-Shirts, hangers © Fred Lonidier / Courtesy Fred Lonidier / Essex Street / New York, Michael Benevento, Los Angeles / SILBERKUPPE, Berlin Fred Lonidier Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/018_mattes_dark.jpg Dark Content, 2015, Installation, Videos, desks, cable basket © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London Eva & Franco Mattes Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/abuse-standards-violations-1-side-exhib-carrollfletcher_2_small.jpg Abuse Standards Violations, 2016, UV prints on plexiglass, varoius insulation materials, spacers, screws, 100 x 100 x 14 cm, 150 x 100 x 8 cm © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London Eva & Franco Mattes Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/eva-franco-mattes/ceiling-cat-large-8935-_small.jpg Ceiling Cat, 2016, Taxidermy cat, Polyurethane resin, hole in the ceiling © Eva & Franco Mattes / Courtesy Caroll/Fletcher, London Eva & Franco Mattes Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/rosa-menkman/menkman-still_small.jpg Dear Mr Compression, 2010, Corrupted .WMV-Video © Rosa Menkman / Courtesy Rosa Menkman Rosa Menkman Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/01_barch_raf_04-04.201718029-2.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/02_barch_raf_04-04.201718029.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/02_lalb_el-51_3-_negative6400_2.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/04_barch_raf_04-04.201718061.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/04_lalb_el-51_3-_negative6493_694.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/06_barch_raf_04-04.201718101.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/08_barch_raf_04-04.201718179-2.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/arwed-messmer/09_barch_raf_04-04.201718218.jpg from RAF - No Evidence, 2017, from conspiratorial Apartments, apartment at Indenheiner Str. 69, 1972, Forensic Photography, conspiratorial apartment of the RAF's first generation, Inheidener Str. 69, Frankfurt a. M., 1972, Installation based on photographs and documents from various German Archives, Researched and editing by Arwed Messmer © Arwed Messmer Arwed Messmer ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/naeem-mohaiemen/baf170811_katalog_de_2092.jpg Live True Life or Die Trying, 2009, 42 C-Prints, each 40 x 50 cm or 20 x 50 cm © Naeem Mohaeiemen / Courtesy Naeem Mohaiemen / Experimenter, Kolkata Naeem Mohaiemen Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/naeem-mohaiemen/baf170811_katalog_de_209.jpg Live True Life or Die Trying, 2009, 42 C-Prints, each 40 x 50 cm or 20 x 50 cm © Naeem Mohaeiemen / Courtesy Naeem Mohaiemen / Experimenter, Kolkata Naeem Mohaiemen Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_18.jpg Bakhambile, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Parktown, 2016, Gelatin silver print, 80 x 60 cm, Private collection, Germany © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York Zanele Muholi Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_19.jpg Thulie II, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Umlazi, Durban, 2016, Gelatine silver print, 50 x 41 cm, Private collection, Berlin © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York Zanele Muholi Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_20.jpg Dudu, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Parktown, 2016, Gelatine silver print, 70 x 63,8 cm © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York Zanele Muholi Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/zanele-muholi/zm_p_24.jpg Thando II Nuoro, from Somnyama Ngonyama (Zulu: Hail of the Black Lions), Sardinia, Italy, 2015, Gelatine silver print, 80 x 52,6 cm, Private collection, Germany © Zanele Muholi / Courtesy Zanele Muholi / Wentrup, Berlin / Stevenson, Cape Town, Johannesburg / Yancey Richardson, New York Zanele Muholi Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oscar-munoz/still-mesa-13_3.jpg Sedimentaciones, 2011, Videostill, Installation, 40 Min., tables © Oscar Muñoz / Courtesy Oscar Muñoz / Mor Charpentier, Paris Oscar Muñoz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oscar-munoz/still-mesa-16_4.jpg Sedimentaciones, 2011, Installation, 40 Min., Tables © Oscar Muñoz / Courtesy Oscar Muñoz / mor Charpentier, Paris Oscar Muñoz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/floris-m-neusuess/floris-m.neusuess-tanz-1965.jpg Tanz, 1965, Photogram, 3 parts, each 259,4 x 89,5 cm, Courtesy DZ BANK Kunstsammlung © Floris M. Neusüss, DZ BANK Kunstsammlung Floris M. Neusüss Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05481.jpg from Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print, heliogravure, 19,7 x 26,3 cm, Thomas Walther Collection © Louis Vignes & Charles Louis Vignes & Charles Nègre Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05482.jpg from Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print (recopied), heliogravure, 22,3 x 28 cm, Thomas Walther Collection © Louis Vignes & Charles Louis Vignes & Charles Nègre Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/louis-vignes-charles-negre/dsc05483.jpg aus Voyage d'exploration à la Mer Morte, à Petra et sur la rive gauche du Jourdain, 1871-74: Planche 57. Djerash. Bains et vue prise vers le sud, 1864 / 1871-74, Albumen print, heliogravure, 19,6 x 26,1 cm, Thomas Walther Collection © Louis Vignes & Charles Louis Vignes & Charles Nègre Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-panevski/fotobuch-0007.jpg Dushan Panevski's Photo album, 1961 © Family Panevski / Courtesy Family Panevski Private Archive Family Panevski Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/last-page_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page1bis-bear_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page2-bear_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page3-bear_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/page5_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/pagina4a-kopie_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/schrotkorn_flucht_2.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/migrant-image-research-group/trypage5-ebenen_01_sc.jpg Running Through the Desert: Roberto Koch, Director of the italian photo agency Contrasto, shows the group Giulio Piscitelli's photo "Sahara desert Libya/Egypt border", 18. May 2014 by Giulio Piscitelli, 2017, Multimedia Installation consisting of wall drawings of a map and photo graphic novels based on the reflection of images from the media by various photographers, videos and framed drawings, audio interviews and conversations with migrants and activists, magazine covers, video material from Frontex employees, and other documentation © Migrant Image Research Group / Courtesy Migrant Image Research Group Migrant Image Research Group ZEPHYR – Raum für Fotografie in den Reiss-Engelhorn-Museen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/willem-de-rooij/wdr_001.jpg Index: Riots, Protest, Mourning and Commemoration (as represented in newspapers, January 2000 - July 2002) 2003, 18 Collages on paper, each 185 x 141 cm, (Bouquet V), 2010, Private collection, Frankfurt am Main © Willem de Rooij Willem de Rooij Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/willem-de-rooij/wdr_004_2.jpg Index: Riots, Protest, Mourning and Commemoration (as represented in newspapers, January 2000 - July 2002) 2003, 18 Collages on paper, each 185 x 141 cm, 2010, Private collection, Frankfurt am Main © Willem de Rooij Willem de Rooij Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/petrel-i-roumagnac-duo/2017_duo_juin_e-escougnou_orthez-2.jpg Théâtre (theatre) #2 / résidus #1, 2017, (Photo: Edouard Escougnou-Cetraro) © Pétrel I Roumagnac (duo) / Courtesy Pétrel I Roumagnac (duo) / Galerie Escougnou-Cetraro, Paris Pétrel I Roumagnac (duo) Location
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/ed-ruscha/2017_07_090_2.jpg Every Building on the Sunset Strip, 1966, Offset print, accordion folded, 18,7 x 14,6 cm, 106 pages, Wilhelm-Hack-Museum Ludwigshafen © Ed Ruscha Ed Ruscha Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/ed-ruscha/2017_07_091_2.jpg Every Building on the Sunset Strip, 1966, Offset print, accordion folded, 18,7 x 14,6 cm, 106 pages, Wilhelm-Hack-Museum Ludwigshafen © Ed Ruscha Ed Ruscha Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/d-h-saur/weiss120417_026_2.jpg Hope 2008-17, Version I, 2017, Collage on Tyvek, ca 200 x 300 cm © D. H. Saur / Courtesy D. H. Saur D. H. Saur Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr1_2.jpg my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ belit sağ Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr2_2.jpg my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ belit sağ Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/belit-sag/my-camera-seems-to-recognize-people_stillnr3_2.jpg my camera seems to recognize people, 2015, 3-channel Video installation © belit sağ / Courtesy belit sağ belit sağ Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/merle-kroeger-philip-scheffner/havarie_03_2.jpg Havarie, 2016, Video, 93 Min., sound © Merle Kröger und Philip Scheffner, pong film GmbH / Courtesy Merle Kröger und Philip Scheffner Philip Scheffner Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid2.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid3.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid4.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid5.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid6.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid7.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid8.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/joachim-schmid/joachimschmid.jpg from Other People's Photographs, 2008-11, 96 books, each 18 x 18 cm, each 36 pages with 32 images © Joachim Schmid / Courtesy Joachim Schmid / P24 Bologna Joachim Schmid Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz-12_2.jpg Video Constructions, Segment 1, 1978, Video on Monitors, 4:07 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Buky Schwartz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz-12tif_2.jpg Video Constructions, Segment 2, 1978, Video on Monitors, 1:16 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Buky Schwartz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_3_2.jpg Video Constructions, Segment 4, 1978, Video on Monitors, 3:40 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Buky Schwartz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_4_2.jpg Video Constructions, Segment 5, 1978, Video on Monitors, 2:46 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Buky Schwartz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/buky-schwartz/schwartz_5_2.jpg Video Constructions, Segment 3, 1978, Video on Monitors, 4:30 Min., sound, Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Courtesy The Estate of Buky Schwartz ©The Estate of Buky Schwartz Buky Schwartz Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-sirma/troskana-028a.jpg Raci Sirma in front of the Mannheimer Water Tower, ca 1965 © Family Sirma / Courtesy Family Sirma Private Archive Family Sirma Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-sirma/wasserturm_kirst_1.jpg Raci Sirma in front of the Mannheimer Water Tower, um 1965 © Family Sirma / Courtesy Family Sirma Private Archive Family Sirma Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/john-smith/49-om-monk_2_small.jpg Om, 1986, Filmstill, 16 mm Film projection, 4 Min., sound © John Smith / Courtesy John Smith / Galerie Tanya Leighton, Berlin John Smith Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/john-smith/51-om-skinhead_2_small.jpg Om, 1986, Filmstill, 16 mm Film projection, 4 Min., sound © John Smith / Courtesy John Smith / Galerie Tanya Leighton, Berlin John Smith Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/mark-soo/mark-soo_untitled-madame-guillotine-ver-1.jpg Madame Guillotine, 2017, Installation, Laser Light Projector, C-Prints, each 92 x 120 cm © Mark Soo / Courtesy Mark Soo Mark Soo Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_11.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_12.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristenristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_13.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_14.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_16.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_17.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_18.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_19.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_20.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_i_21.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_10.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_7.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_8.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrzej-steinbach/as_figur_ii_9.jpg from Figur I, Figur II, 2014/15, Inkjet-Print, 90 x 60 cm © Andrzej Steinbach / Courtesy Andrzej Steinbach / Galerie Conradi Hamburg / Sammlung Gebrüder Kristen Andrzej Steinbach Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_river_02_.jpg River, 2017 (VideostillI), Video installation, 16:08 Min., sound, Courtesy Sebastian Stumpf and Galerie Thomas Fischer, Berlin © Sebastian Stumpf Sebastian Stumpf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_treppe_01.jpg Treppe (stairs), 2017, Video installation © Courtesy Sebastian Stumpf / Galerie Thomas Fischer, Berlin / VG Bild-Kunst, Bonn 2017 für Max Bill „Endlose Treppe“ Sebastian Stumpf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/sebastian-stumpf/standbild_treppe_03.jpg Treppe (stairs), 2017, Video, ca. 12 Min., sound © Courtesy Sebastian Stumpf / Galerie Thomas Fischer, Berlin / VG Bild-Kunst, Bonn 2017 für Max BIll „Endlose Treppe“ Sebastian Stumpf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0193_rgb.jpg Kanye, Juergen & Kim, No. 23, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0222_rgb.jpg Kanye, Juergen & Kim, No. 33, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0400_rgb.jpg Kanye, Juergen & Kim, No. 70, Chateau d'Ambleville, 2015, Giclee-Print, 152 x 229 cm © Juergen Teller / Courtesy Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0446_rgb.jpg Kanye, Juergen & Kim, No. 25, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys110315_0661_rgb.jpg Kanye, Juergen & Kim, No. 35, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3673_rgb.jpg Kanye, Juergen & Kim, No. 26, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3692_rgb.jpg Kanye, Juergen & Kim, No. 24, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/juergen-teller/sys310315_3761_rgb.jpg Kanye, Juergen & Kim, No. 34, Chateau d'Ambleville, 2015, System Magazine Supplement, Nr. 5, Paris, 2015 © Juergen Teller Juergen Teller Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/wolfgang-tillmans/2012-062-sensor-flaws-dead-pixels-eso_3.jpg sensor flaws & dead pixels, ESO, 2012, Inkjet-Print, 138 x 208 cm © Wolfgang Tillmans / Courtesy Wolfgang Tillmans / Galerie Buchholz, Berlin / Museum Folkwang Essen Wolfgang Tillmans Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/wolfgang-tillmans/2012-113-named-unnamed-galaxies_2.jpg named and unnamed galaxies, ESO, 2012, Inkjet-Print, 74,8 x 96,6 cm © Wolfgang Tillmans / Courtesy Wolfgang Tillmans / Galerie Buchholz, Berlin / Museum Folkwang Essen Wolfgang Tillmans Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-002_small.jpg Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier Gaston Tissandier Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-003_small.jpg Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier Gaston Tissandier Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/gaston-tissandier/gaston-tissandiers-004_small.jpg Les Merveilles de la Photographie (The Miracles of Photography), 1874, 2 books, each 18,5 x 12 cm, 328 pages, Reiss-Engelhorn-Museen, Mannheim / private collection, Konstanz © Gaston Tissandier Gaston Tissandier Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/oraib-toukan/oraib-toukan-when-things-occur-1.jpg When Things Occur, 2016, Video, 28 Min., sound © Oraib Toukan / Courtesy Oraib Toukan Oraib Toukan Heidelberger Kunstverein
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-troncone/trocone-001.jpg At the Mannheimer Water Tower, ca 1970 © Family Troncone / Courtesy Family Trocone Private Archive Family Troncone Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-troncone/trocone-002.jpg At the Mannheimer Water Tower, ca 1970 © Family Troncone / Courtesy Family Trocone Private Archive Family Troncone Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_01.jpg Excellences & Perfections, 2014 (Instagram Update, 11th July 2014), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London Amalia Ulman Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_02_2.jpg Excellences & Perfections, 2014 (Instagram Update, 7th July 2014), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London Amalia Ulman Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/amalia-ulman/ep_03_2.jpg Excellences & Perfections, 2014 (Instagram Update, 4th July 2014), (#work #it #bitch), C-Print, 125 x 125 cm © Amalia Ulman / Courtesy Amalia Ulman / Arcadia Missa London Amalia Ulman Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hermann-vogel/hermann-vogel-002.jpg Colour Chart from Hermann Vogel, Lehrbuch der Photographie. Die photographische Chemie, die photographische Praxis und die photographische Ästhetik (Manual of Photography: Photographic Chemistry, Photographic Practice, and Photographic Aesthetics), 1874, Book, 23 x 15,5 cm, 528 S., private collection Konstanz © Hermann Vogel Hermann Vogel Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_01.jpg Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed Hajra Waheed Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_02.jpg Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed Hajra Waheed Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/hajra-waheed/women_shorthair_highres_03.jpg Women with Short Hair, from Anouchian Passport Portrait Series, 2008 -ongoing, Xylene Transfer and pencil on paper, Serie à 9 drawings, each 39 x 23,9 cm © Hajra Waheed / Courtesy Hajra Waheed Hajra Waheed Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/marianne-wex/2017_07_064_2.jpg "Female" and "Male" Body Language as a Result of Patriarchal Structures, 1979, Book, 24 x 30 cm, 377 S., Private collection / Martina Pantke, Maison Forstfeld © Marianne Wex Marianne Wex Sammlung Prinzhorn
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/googlestillcomposite.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.38.58-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.40.56-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.43.42-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.46.48-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.47.46-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.49.04-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/screen-shot-2017-07-23-at-11.59.15-am.jpg Workers Leaving The Googleplex, 2009-11, 7-channel Video installation on Monitors © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/wilson_poster_the_abc_of_photography-2.jpg The ABC of Photography - 2, 2014, from ScanOps, 2012 -ongoing, Inkjet-Prints on self-adhesive fabric, 91 x 61 cm © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/andrew-norman-wilson/wilson_poster_the_inland_printer_edit-164_3.jpg The Inland Printer - 164, 2012, from ScanOps, 2012 -ongoing, Inkjet-Prints on self-adhesive fabric, 91 x 61 cm © Andrew Norman Wilson / Courtesy Andrew Norman Wilson Andrew Norman Wilson Port 25 – Raum für Gegenwartskunst
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_009.jpg Study of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G273, time of exposure: 3h, 7.9.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_014.jpg SStudy of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G304, time of exposure: 13h, 8 Min., 9.9.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_018.jpg Study of the Accumulation of Stars on Three Photographic Plates, Each the Same View of the Night's Sky with a Different Exposure Time, Alpha Cyg, Plate G302, time of exposure: 1h, 1.6.1891, Glass plate negatives, 18 x 13 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/2017_07_026_3.jpg Max Wolf / Johann Palisa, from Photografische Sternkarte (Photographic Celestial Charts), 1900-16, Plate B1022, time of exposure: 4h, 10.7.1904, Glass plate negatives, 30 x 24 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/bilder-86967-80611-original__ub-d203_17__48f26c02_2_small.jpg Bildarchiv GmbH Freiburg im Breisgau, Images of the night's sky by Max Wolf (1899-1910), 1922, 10 Gelatin silver prints, each 18 x 12 cm, Universitätsbibliothek Heidelberg, Nachlass Max Wolf (Heid. Hs. 3695) © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/max-wolf/sternkarten-001_2.jpg Max Wolf / Johann Palisa, aus Photografische Sternkarten (Photographic Celestial Charts), 1900-16, Plate Nr. 139, time of exposure: 4h, 10.7.1904, Gelatin silver print, 36 x 27,5 cm, Zentrum für Astronomie der Universität Heidelberg (ZAH), Landessternwarte © Max Wolf, Universitätsbibliothek Heidelberg, Nachlass Max Wolf Max Wolf Wilhelm-Hack-Museum
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/18420001.jpg Brühl, Germaniastraße, ca 1973 © Family Zippel / Courtesy Family Zippel Private Archive Family Zippel Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/18420003_b_rz.jpg Brühl, Germaniastraße, ca 1973 © Family Zippel / Courtesy Family Zippel Private Archive Family Zippel Kunstverein Ludwigshafen
https://2017.biennalefotografie.de/content/2-edition/2-kuenstler/privatarchiv-familie-zippel/repro_katalog.jpg Temporary Residence in Mannheim-Rheinau, Karl-Peters-Straße (present-day Wilhelm-Peters-Straße), ca 1965 © Family Zippel / Courtesy Family Zippel Private Archive Family Zippel Kunstverein Ludwigshafen

Calendar

08/09, 16:30

08/09, 17:00

08/09, 19:00

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F & D Cartier

The exhibition catalogue of the Biennale für aktuelle Fotografie 2017

The Journal 2017 – Read more

Marc Lee, "Bundestagswahl - Meinungskampf in den Sozialen Medien"

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